"As a child, I often wrote plays that my friends and I performed. I wanted to be an artist who lived in an
attic. I studied both art and literature in college and as it turns out, I lived in an attic for 13 years.

I collected images from magazines, gluing favorites into a blank book, years before discovering collage.
More recently, I began collecting text from magazines and gluing words into collages. The words were
cryptic but enticing and I realized I wanted to write too.

I thought poetry was a vegetable I didn't "get" like beets, yet that's what I wrote. Now I think poetry
and beets are mysterious. I especially love beets with feta cheese, walnuts and pomegranate juice. "
-- C. Albert

C. Albert is an accomplished artist and fine poet living in Washington. Visit her websites linked below
to experience  her stunning collages and read her  poems.

Runaway Moon  

Aerial Dreams
C. Albert
summer evening raining green, © C. Albert.  Previously published in Houston
Literary Review.  mixed media collage: fabric, paper, faux grass, beads, lady bug,
magazine, paper doilies, ink, colored pencil, poem is beneath glass pebbles; 5"x8"

Click below to hear the poem based on the collage.
Click on the title of the poem in order to listen.


The Meaning of Roundling

With the edges
of our eyes, we catch
glimpses of roundlings
peeking through windows.
Gentle creatures, ready to bolt,
so fragile with dark traumas
passed onto them.

Best not to talk
the language of x,y,z.
A whisper of “why didn't you”
or “you should” is an attack of syntax,
a barbed construction that shatters them.
They will run away with the thought,
“It is not safe here.” Once they flee,
the void aches with absence
of oval tenderness.

Sometimes
they can be enticed
with soft fruits and scents
of fresh lemon and tangerine.
Round stones will please.

Feed them colors,
speak in fluted ragas
offer acceptance.


©C. Albert
First published in Mannequin Envy
James Murphy
James & Lucy at home in Aberdeen, Scotland
Digital illustration by Carla Martin-Wood based upon
photo furnished by James Murphy
James Murphy was born in the small Scottish town of Lanark, but he has
lived in Aberdeen for most of his working life. He is married to Fiona, has a
20 year old daughter Amy, and a dog called Lucy. His poetry ranges from
traditional metered rhyme, to contemporary free verse. He has always had
a passion for the written word, from his early days as a songwriter, to his
more recent exploration of poetry, past, present and future. James is also
a certified Sci-Fi enthusiast, enjoying the works of Philip K Dick, Harry
Harrison and David Gemmell. His musical influences are as vast as they are
varied, including the likes of Tori Amos, Kate Bush, Bob Dylan, Judy Collins,
and Leonard Cohen.

James has published one book,
Beyond the Call of Beauty, and has edited
an anthology,
Poems for Suzanne.

Click on the title of the poems in order to listen, or click the arrow on the
video screens to see Jim reading his work.
Federico's Last Stand
Music written, performed and arranged by Scott Douglas, © 2009


My friends name me
sensitive, enemies
 indifferent.

Where is the
decay coating
 you promised?

I have no answer,
save a knowing
 wink.

But yesterday
I forged this
 statement.

I do not write
poetry, merely
play on
 intolerance.

A confession?

Chocolate is
confession,
 with a cast
      iron alibi.

Never confession,
but subscription to
 diversion.
Observations from the Barber Shop
by James Murphy
aka, The Armchair Poet
We'll Go No More A-Roving
by Lord Byron
Reading by James Murphy
aka, The Armchair Poet
In Between Nowhere
by James Murphy
aka, The Armchair Poet
This Broken Sonnet

If but one single teardrop here should fall
To drown these feelings formerly denied
And taken with the salt to pass it all
Onto the very rose that we despised

Yet roses are averse to stay in bloom
Whenever subtle winter calls your name
Though standing with his hands inside your gown
He’ll find no warmth to feed on, just more pain

But thoughts of pain were never far behind
We’d only propagate this love to win
I’d heard an old cliché that, love was blind   
And had to hang a lantern on that sin

Yet sin is just the reason we must hide
From all those broken sonnets strung outside  

©2008, James Murphy
Not Really a Love Sonnet

Such was the reason to carry the blame
Lay it beside you and give it a name
Board it all up when the canister blows
Burning the soil where you buried your clothes

That was the reason you took it to heart
Times you accused me of playing a part
Everything comes to a word on the stage
Improvisation instead of the page

Now you are clothed like a martyr in rags
Walking your pain in two carrier bags
Free from the knowledge your gave it your all
Pushing the boundaries, taking the fall

Love is a target when we’re taking aim
Only the foolish would swallow that claim

©2008, James Murphy
For information on how to purchase Jim's books, click on the
book of your choice below.

Al
l proceeds from
Poetry for Suzanne
go to MacMillan Cancer Relief Fund.
*The following applies to all The Well-ReadHead and all its content:

Poems, readings and illustrations by Carla Martin-Wood are Copyright 2009 Carla Martin-Wood. All rights reserved. This material may
not be reproduced in any form, published, recorded, performed, broadcast, rewritten or redistributed. All such actions are
strictly prohibited under law.

Likewise, all poems read by or explicitly attributed to visiting poets on this site are the property of such visiting poets and are
under copyright by them, and all photographs and illustrations appearing on this site are the property of the designated
photographers and/or illustrators and are under copyright by the respective poets, artists, illustrators and photographers. All
rights reserved. Such material may not be reproduced in any form, published, recorded, performed, broadcast, rewritten or
redistributed. All such actions are strictly prohibited under law.

Please see my Links page for a list of the various sites that have graciously provided some of the gifs for The Well-ReadHead.   
Please visit their websites for more information.


The Well-ReadHead, Copyright 2009, Carla Martin-Wood, all rights reserved. Reproduction in any form is strictly prohibited under
law.
Enjoy the poetry and art of C. Albert and James Murphy below.
Then, visit the other Reading Lounges. You'll find  the menu at the bottom of the page.